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β€˜The Fire Inside’: Toronto Review

Dir: Rachel Morrison. US. 2024. 109mins. The directorial debut of cinematographer Rachel Morrison, The Fireplace Inside tells the true story of American boxer Claressa β€˜T-Rex’...

’How To Make Millions Before Grandma Dies’: Review

Dir: Pat Boonnitipat. Thailand. 2024. 126mins How To Make Hundreds of thousands Earlier than Grandma Dies has been successful hearts throughout Asia, giving Thailand its...

β€˜The Wild Robot’: Toronto Review

Dir: Chris Sanders. US. 2024. 102minsΒ  The newest from DreamWorks/Common, The Wild Robotic is a beautiful, painterly animation based mostly on Peter Brown’s youngsters’s books...

β€˜The Blue Road’: Toronto Review

Dir. Sinead O’Shea. Republic of Eire/UK, 2024. 98mins The Blue Street appears a much more becoming tribute to Edna O’Brien, her life and work, than...

β€˜The Return’: Toronto Review

Dir: Uberto Pasolini. Italy/UK. 2024. 116mins Unusually for an cinematic adaptation of a Greek fantasy, there aren't any gods or monsters to be present in...

β€˜Harbin’: Toronto Review

Dir: Woo Min-ho. South Korea. 2024. 108mins The refined pleasure of director Woo Min-ho’s gripping historic spy drama Harbin lies in its painstaking craft. Evocative...

β€˜Better Man’: Toronto Review

Dir: Michael Gracey. Australia. 2024. 134minsΒ  Most music biopics rejoice the genius or groundbreaking artistry of their topic. What’s refreshing about Higher Man, a tribute...

β€˜Bring Them Down’: Toronto Review

Dir: Christopher Andrews. Eire/UK/Belgium. 2024. 106minsΒ  Author-director Christopher Andrews’ characteristic debut exists in a world beset by tragedy and previous wounds which have by no...

β€˜The Assessment’: Toronto Review

Dir: Fleur Fortune. UK/Germany/US. 2024. 114minsΒ  Exploring a dystopian future during which {couples} should show themselves worthy of being dad and mom, The Evaluation is...

β€˜Conclave’: Toronto Review

Dir: Edward Berger. US/UK. 2024. 120minsΒ  For his follow-up to the award-winning 2022 adaptation of All Quiet On The Western Entrance, Edward Berger takes us...

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