CGV Cinema Indonesia invited media and reporters to the premiere screening of the 91-minute Korean movie “Streaming” starring Kang Ha-neul at CGV Grand Indonesia. Among the many attendees had been Siti Rosidah and Thoriq Hafidz, who participated as representatives of “Sahabat Korea” and “Honorary Reporters for Korea.internet.” Their presence highlighted the rising cultural bridge between Korea and Indonesia. The night started with registration at 6:00 PM (JKT), {followed} by the screening at 7:00 PM (JKT).
CGV Cinema Indonesia Particular Screening: “STREAMING”
This screening stood out as a result of “Streaming” — a real-time Korean thriller movie starring Kang Ha-neul as the only lead—facilities on YouTube tradition. He performs Woo Sang, a serial killer chaser who broadcasts your complete course of reside. The story revolves round Idol, a thriller streamer with the best subscriber counts whose main objective is gaining extra viewers and subscribers.
Kang Ha-Neul: A New Face and Character
Kang stated this new function showcases his refreshing aspect. Woo Sang isn’t somebody you’d need to strategy. Although he seems polished, he’s hole inside, pushed by conceitedness.
The character’s look was reimagined with a pointy black swimsuit and tie, emphasizing his intense on-screen persona. Although dubbed a “one-man present,” Kang stated it was a workforce effort.
He emphasised the facility of phrases: “It’s not simply because I’m a star—everybody has that energy. However since my phrases attain extra folks, I really feel a stronger duty.”
In at this time’s smartphone period, Kang stated “Streaming” affords a uncommon likelihood to expertise a reside stream on the large display.
“STREAMING” Korean Movie Synopsis
“Streaming” is a thriller that includes Kang Ha-neul as Woo Sang, the highest streamer on a aggressive platform the place solely the highest-ranked streamers take dwelling all of the sponsorship earnings. Upon discovering clues to an unsolved serial homicide case, Woo Sang begins to trace the killer—reside on his channel.
Woo Sang is a well-known streamer who at all times maintains the highest rank. When a trending serial homicide case catches his consideration, he begins tracing clues, broadcasting every part reside.
“Woo Sang may need as soon as tried to reside an honest life, however as soon as he discovered the WEG platform [a fictional site in the film], he was swallowed by cash. He thought, ‘Whilst a cop, I couldn’t earn this a lot,’ and stayed on.”
Kang Ha-neul, taking part in the boastful however standard felony broadcaster Woo Sang, interacts reside with followers through chat.
A Serial Killer Case Investigation By Stay Streaming
Directed and written by Cho Jang-ho, this marks Cho’s directorial debut, recognized beforehand for the thriller novel “The Rapture 1992” (2017) and the web-based novel Justice. “It’s an uncommon movie format, however I appreciated how the director took a daring strategy.”
A Distinctive Thriller Storyline
“I’d by no means learn a script prefer it earlier than when it comes to each construction and originality—it pulled me into the story.”
Kang Ha-neul.
The movie is structured in real-time, making it really feel like a real reside broadcast. Kang needed to act alone in entrance of the digital camera, typical of streaming codecs. The script featured 4 or 5 traces per scene, however Woo Sang had lengthy monologues.
This psychological thriller explores media, obsession, and id. The distinctive format was a problem for everybody concerned. Kang loved taking part in a personality not like himself. Although Woo Sang is difficult to grasp, he’s nonetheless relatable.
Kang primarily based his portrayal on streamers Kim Received and Deeva Jessica, each recognized for true crime tales. Woo Sang’s tone drew from Kim Received, whereas Deeva Jessica impressed his use of on-screen visuals.
Context & Social Message
The movie arrives at a well timed second, as cyberbullying turns into a essential social difficulty. So-called “cyber wreckers”—streamers who harass others for views—have been jailed for blackmailing and defaming mukbang YouTubers.
“Streaming” goals to not educate viewers about web risks however to make them mirror earlier than consuming on-line content material. The movie exhibits how folks converse unfiltered truths on-line—although not at all times factual—and the way repeated publicity makes viewers begin believing them.
Climax & Psychological Depth
Woo Sang, the most-followed streamer on the fictional WAG platform, turns into determined to reclaim his high spot after shedding it. He finds a lead on an unsolved homicide and begins broadcasting his pursuit. However issues spiral when he realizes the killer has been watching his stream all alongside.
The movie explores Woo Sang’s self-importance by visible parts—slicked-back hair, a black three-piece swimsuit, tattoos, earrings, and an costly watch. Kang mastered the live-stream really feel, switching glances between reside chat, digital camera, and his monitor to construct rhythm and believability.
He channeled cyber wrecker conceitedness—daring, boastful, and showy.
Streamers Fixing Crimes: Fact Or Staged?
Kang wished to painting Woo Sang not simply as a villain however as somebody consistently justifying his misdeeds out of pleasure. Woo Sang thrives in a brutal streaming ecosystem the place solely the highest creators earn from sponsors.
After discovering a lead on a brutal serial homicide, he goals to reclaim his fame—however realizes the killer is watching him.
To be the primary crime streamer, Woo Sang goes all out—finding out felony profiling, recreating crimes FBI-style, and even chasing actual criminals on the reside broadcast. However within the fast-paced streaming world, reputation can vanish in seconds.
How far will he go to remain on high? Will streamers reveal the reality—or fabricate it for fame?
With its intense plot and thrilling environment, “Streaming” affords an adrenaline-pumping viewing expertise. The viewers is taken on a “reside stream” all through the movie. Wish to know the reality?
“Streaming” premiered in Korea final month. Catch it in Indonesian cinemas beginning April 16, 2025, solely at CGV and Cinepolis.
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