One Battle After Another Reviews Lead to Stellar Rotten Tomatoes Score

One Battle After One other opinions are starting to come back in, and maybe unsurprisingly, Paul Thomas Anderson’s newest movie is getting huge reward forward of its launch on September 26, 2025.

What are the One Battle After One other opinions saying?

On Rotten Tomatoes, One Battle After One other debuted its opinions immediately, and debuted with a whopping 97% rating on the aggregator website. The Leonardo DiCaprio-led film is being hailed as one other masterpiece from Anderson, with some even calling it the very best film of his illustrious profession.

Selection’s Owen Gleiberman hailed Anderson as having “gone again to being a grasp.” The Hollywood Reporter’s Richard Lawson calls it a “a daunting and galvanizing imaginative and prescient,” whereas Indiewire’s David Ehrlich praised the movie as a defining blockbuster of the twenty first century.

Elsewhere, Rolling Stone’s David Concern hailed the film as a “humanistic masterpiece.” “Anderson’s humanistic masterpiece of a film says: You combat it with love. That’s the tip recreation. That’s how you keep your decency and sanity. That’s the one manner you shield the longer term, and alter it. That’s how you reside to battle one other day.” sondramedia’s Jonathan Sim additionally praised the film, noting that it “crackles with power, wit, and imaginative and prescient.”

Alongside DiCaprio, the film additionally stars Regina Corridor, Teyana Taylor, Chase Infiniti, Benicio Del Toro, Wooden Harris, and Alana Haim. It’s written and directed by Anderson, who additionally serves as a producer alongside Adam Somner and Sara Murphy. Will Weiske serves as an government producer.

The film is reported to be “considerably impressed” by a 1990 novel referred to as Vineland by Thomas Pynchon.

“Right here, in an Orwellian 1984, Zoyd Wheeler and his daughter Prairie seek for Prairie’s long-lost mom, a Sixties radical who ran off with a narc,” an outline of the guide reads. “Vineland is classic Pynchon, filled with quasi-allegorical characters, elaborate unresolved subplots, corny songs (‘Floozy with an Uzi’), film spoofs (Pee-wee Herman in The Robert Musil Story), and illicit intercourse (together with a macho variation on the notorious sportscar scene in V.).”