Dir/scr: Amy Wang. US. 2025. 104mins
A darkish, poignant satire about assimilation and feminine magnificence requirements, Slanted stars Shirley Chen as a Chinese language-American teenager who desires of changing into promenade queen — and plans to actually remake herself with the intention to win the crown. Incomes SXSW’s Narrative Grand Jury Prize, writer-director Amy Wang’s function debut juggles genres for example the distressing diploma to which immigrants attempt to combine themselves right into a white American society that treats them as outsiders. The movie’s weaving of broad comedy, biting commentary and body-horror is usually awkward, however at all times considerate.
Wang lets the script’s jokes and shocks hit with blunt drive
Slanted’s ensemble contains rising stars Mckenna Grace (the current Ghostbusters photos) and Maitreyi Ramakrishnan (By no means Have I Ever). The catchy premise is certain to encourage comparisons to The Substance and Imply Women, and Wang’s observations about physique picture, sexism and racism make this a well timed narrative. Even when theatrical prospects could solely be modest, constructive evaluations ought to assist increase visibility.
Chen performs Joan Huang, a young person who moved from China to America along with her dad and mom as a toddler and shortly idealised Western requirements for attractiveness. (She litters her bed room wall with cutouts of smiling white feminine celebrities, crafting a imaginative and prescient board of impossibly flawless magnificence to which she aspires.) Envious of her college’s well-liked white women, particularly the attractive Olivia (Amelie Zilber), Joan discovers a mysterious firm named Ethnos, which presents ’ethnic modification’ that can rework her right into a blonde white bombshell. With no second’s hesitation, she indicators up for the process, changing into Jo Hunt (Grace).
Ostensibly, Joan’s want to be Jo is prompted by her ambition to be named promenade queen — a title the teenager struggled to win whereas campaigning as herself. However as Slanted develops, it turns into clear that the crown was merely a symptom of the character’s profound starvation to be accepted. Wang incisively examines the day by day racist microaggressions that Asians and others expertise. Slanted eschews subtlety when it takes intention at how adverts and well-liked tradition prioritise white faces and white views, leaving Joan perpetually feeling unworthy and unwelcome.
Viewers are suggested to miss the questionable logic behind Joan’s surgical process, which can’t be reversed. For example, exactly why Ethnos hasn’t attracted extra media consideration — particularly because the firm can apparently remake individuals in simply hours— is left unanswered. Additionally, as soon as Jo begins exhibiting up in school, hardly anybody — save for Joan’s one true pal, Brindha (an amusing however underused Ramakrishnan) — appears involved that Joan has vanished. However plausibility points are, maybe, inappropriate, contemplating the story is usually only a springboard for Wang’s cultural critique.
Rapidly, Jo insinuates herself with Olivia’s snooty clique, decided to win Olivia’s endorsement for the promenade queen title — and possibly even land her first boyfriend. (A rickety plot level explains that, as a result of Olivia will probably be away capturing a Hollywood manufacturing, she herself will probably be ineligible for the crown.) However as a lot as this teenager may be capable to idiot others into considering she’s cool, Jo nonetheless looks like she nonetheless doesn’t belong round her well-liked white classmates. That self-loathing solely intensifies as soon as she discovers that the Ethnos process will not be foolproof, a story improvement that permits make-up artist Sarah Graalman to successfully alter Jo’s countenance in upsetting methods.
A few of Slanted’s twists play out predictably — that is hardly the primary teen movie through which a quest for reputation seems to be a combined blessing — however Chen’s sweetness and vulnerability are properly paired with Grace’s panic and remorse. Wang lets the script’s jokes and shocks hit with blunt drive, displaying a confidence that Joan has failed to find in herself. Even when Slanted turns into surprisingly bloody, the writer-director ensures that the anguish of the immigrant expertise programs via each body. As Joan’s dad and mom, Vivian Wu and Fang Du convey a touching helplessness as they attempt to elevate up their delicate daughter — her transformation into Jo triggers anger and despair that’s movingly depicted.
Manufacturing firm: Mountain High Photos
Worldwide gross sales: Mountain High Photos, Parker Mays, parker@mountaintoppics.com
Producers: Mark Ankner, Amy Wang, Adel “Future” Nur, Trevor Wall
Cinematography: Ed Wu
Manufacturing design: Ying-Te Julie Chen
Modifying: Ryan Chen
Music: Shirley Music
Essential solid: Shirley Chen, McKenna Grace, Amelie Zilber, Vivian Wu, Fang Du, Maitreyi Ramakrishnan