‘The Old Woman With The Knife’ review: Bloody Korean actioner centres around an older assassin

Dir: Min Kyu-dong. South Korea. 2025. 131mins

Hornclaw (Hyeyoung Lee), a veteran murderer in her mid-sixties, is a legend; she is the most icily environment friendly operative in her organisation (a type of moral homicide service, they describe themselves as “pest management”.) However there are indications that she could be going mushy: her killing hand shouldn’t be as agency because it was once. And he or she has simply adopted a bedraggled senior rescue canine. However when a ruthless skilled killer with an agenda joins her organisation, Hornclaw realises that that is no time to be dropping her edge. There’s lots that’s acquainted on this extravagantly bloody motion image. However Lee is terrifyingly efficient in the function, and the struggle sequences are impressively visceral.

Lee is terrifyingly efficient in the function

It’s a placing departure for Lee, who is maybe finest often known as certainly one of Hong Sang-soo’s common collaborators. She appeared in Hong’s latest photos, together with A Traveller’s Wants and In Entrance Of Your Face, successful a number of appearing prizes for the latter. Director Min Kyu-dong, whose wide-ranging CV consists of romantic comedies (All For Love, All About My Spouse), horror (the Horror Tales anthologies) and sci-fi (The Prayer), tackles the struggle sequences with relish. Whereas the movie might do with having a few of the surplus expositional flab cleavered off, it’s – because of the pensionable badass protagonist – distinctive sufficient to catch the eye of specialist distributors and festivals searching for style titles for late-night slots.

Hornclaw – the identify makes her sound like a uncommon Pokemon, however she selected it herself after single-handedly slaughtering a complete warehouse filled with dangerous guys – lives for her work. She has no mates (or no less than none that she wouldn’t kill if crucial), no hobbies, no attachments that may get in the means of her capability to do the job. And it’s a job that she is uniquely well-equipped to carry out. She will be able to kick a person throughout a room, and what she lacks in muscle and bone density she makes up for with crafty. Plus, the previous girl is significantly kitted out. Along with the knife talked about in the title, she has a collection of firearms hidden in her kimchi jars, a poison-tipped spike and a few type of ceremonial gouging prong that she retains for particular events.

Maybe involved {that a} superannuated, steely-faced feminine killer may not be a very sympathetic character, the movie goes heavy on scene-setting flashbacks establishing her depressing childhood, her first kill (self-defence, perpetrated on a violent, would-be rapist) and her strict(ish) ethical code of killing solely those that should die. The movie reasonably ties itself in knots on the subject of the justification of Hornclaw’s profession selections, when the truth is what’s fascinating about the character shouldn’t be her preliminary victimhood, however the scientific, cold-blooded professionalism that makes her the perfect at what she does.

Her canine is not any weak point, both. She barely remembers to feed poor, unfortunately-named Braveheart. However when a success on a former colleague will get messy, she is sewn again collectively by Dr Kang, (Yeon Woo-jin), a saintly widowed vet who misplaced his spouse to medical malpractice at a hospital and who has an irrepressibly perky daughter. Her guard lowered by ache medicine, Hornclaw is disarmed by the relentless niceness of Kang and his child. Which makes them an apparent goal for anybody wishing hurt upon Hornclaw (a not inconsiderable listing).

The movie is a curious mix of bruising motion (which works nicely) and nostalgic padding (which is much less profitable). Thes core, a histrionic orchestral onslaught, is especially overbearing. However audiences for a movie titled The Outdated Girl With The Knife shall be primarily involved with the high quality and inventiveness of the struggle sequences. And on that degree, the image doesn’t disappoint. Hornclaw’s homicide wardrobe is each impressively stylish and sensible – the leather-based trench, bucket hat combo is a selected triumph. And of the motion set items, a frenzy of slaughtering in a derelict amusement park is a stand out.